| Dance with an admirer and prepare to leave with |
| Goes to a dentist, awful, that I have left |
| Looking presentable? |
| A nice, all red ensemble for the poor neglected girl |
| With a little gulp, swallowing a tea cake |
| Very tired, though it’s late, be at |
| On the other hand, it is a profit |
| High ground the tern has flown to from the flood |
| Returning with a woman: fifty, olive-skinned and brown-eyed? |
| How the siren’s accompanying herself on the piano? |
| Just what you’d expect of an actor when performing |
| What the mineralogists are fighting over? |
| Sending on, with the purpose of staving off |
| How Jack walked? |
| Friendly and pleasant, caught entering |
| Suppose you do have the temerity to? |
| Will it make the poor swimmer’s hair curl? |
| Go rudely in, uninvited, to the boat |
| Mother didn’t finish the tea |
| Document that has to do with land |
| He has a belief beef should be totally eliminated |
| Years after, I am showing the pictures |
| Are embarrassed all round when it’s brought up |
| Forced from that the previous wife had been on the stage |
| Concludes they’re what one’s aiming for |
| Understood it’s not done to jump on the bed |
| Forced us to change our ways |
| I make the mistake of taking tea round to the entertainer |
| Strike back at the friends |
| Including it in the tax shows a lack of seriousness |
| Tipping the fielder so he’ll drop the catches? |
| Surname of the critic who says everything’s awful? |
| Give to a crew member |
| The weapons are a knock out, sire! |
| Risqué? Wrong! |
| Have a hunch, from experience |
| Scaring off the burglars at the lunatic asylum? |
| The performances as before, or in a different scene |
| Ships the man, an artist, back |
| Pop the loose tees inside with the coin |
| See for myself, so to speak |
| Having broken the limit Brown, taken in, is aggressive |
| Do, being worried for a start, have an intuition |
| It’s pouring rain when you wake up |